Showing posts with label movie: twilight. Show all posts
Showing posts with label movie: twilight. Show all posts

Rob and Kristen talk about each other in Vanity Fair


Quotes from Rob about Kristen

“People have decided how they are going to perceive her,” says Robert Pattinson, her red-lipped Romeo in the Twilight films. “No matter how many times she smiles, they’ll put in the one picture where she’s not smiling.”

For all that unease on the red carpet and at photoshoots, she has learned to love great fashion – “I never saw that coming,” says Pattinson

“The perception of her is that she’s awkward,” says Pattinson. “But it’s funny knowing her. It’s the absolute opposite of what people think. She is insanely confident."

Quotes from Kristen about Rob

Stewart was fully engaged on set. She is open about the creative tensions that developed. “Me and Rob got into a lot of trouble,” she told me with a smile. “We wanted it to be not so polished. Catherine was all for that. But we were getting notes from the studio. They wanted me to smile all the time. They wanted Rob to be not so brooding. We were like, ‘No! You need to brood your ass off.‘”

Quotes from Catherine Hardwicke about Rob and Kristen

It was Sean Penn who suggested to Catherine Hardwicke, the director of the first Twilight movie, that she give Stewart a shot. The director signed on because he believed in Stewart’s ability to embody the feelings of longing that drive the original book. There were a few actors still in the running for the part of Edward, and Hardwicke was smart enough to involve Stewart in the final decision making. “Chemistry reads” are a long-standing ritual for testing whether two actors will work well together on-screen, but it sounds as if Hardwicke was experimenting with explosives the day she had Pattinson, a young British actor then best known for playing Cedric Diggory in Harry Potter and the Goblet of Fire, show up at her house to run through some scene with Stewart, in the bedroom no less. “Honestly, I was nervous,” the director remembers. “I saw they were so attracted and Kristen was under-age. I said, ‘Rob, we have a law in this country under 18. Don’t get in trouble here.’ I felt I was in the presence of something strong and powerful.” When Pattinson left, Stewart said “It’s him.” Hardwicke listened but wanted to be sure that their charisma and visceral connection translated onto film. “Not everybody makes it all the way through the screen to our hearts and souls in the movie theater,” the director says, “but these two did. It was electrifying.”

And about Rob and Kristen

After each of these more independent productions, it would be Twilight time again – Old Home Week for Stewart. She says in retrospect she sees the Twilight sets as the equivalent of the high school she never attended. As you may know, her off-screen relationship with Pattinson has drawn enormous attention, but she’s publicly mum on this one. That the two are a couple is not something they seem to want to hide; it’s just that they like their privacy. A friend who knows Stewart very well says, “This is something she wants to keep for herself.”

Read the full interview in the scans

imagebam.com imagebam.com imagebam.com imagebam.com imagebam.com

Scans | Transcript

Rob's Interview on 'Scoop With Raya'

Rob talks Cannes, 'Cosmopolis', movies he watched a million times, 'Twiight' and more

Watch here (at 9:40) or Youtube



Thanks Gossipgyal for the link

More from Rob's Interview with USA Today - talks about future projects


On Nov. 18, he'll reprise his role as vampire/new father Edward Cullen opposite Kristen Stewart in The Twilight Saga: Breaking Dawn— Part 2, the final installment in Stephenie Meyer's behemoth series.

But before that, he'll appear in a surreal role as a Wall Street banker in David Cronenberg's Cosmopolis (due in August), which earned a standing ovation for its premiere at the Cannes Film Festival.

"I used to think it was a good thing to have a safety net," says Pattinson, 26, of his starmaking Twilight role. "To know you're always safe is not real. It's got to matter."

So after Breaking Dawn, Pattinson will launch into a busy slate of projects that are starting to take shape.

"I have five things going — actually six," he says. "I'm pretty sure I know which one is going to be first."

That would be Mission: Blacklist (2013), based on the true story of the interrogator credited with locating Saddam Hussein after the fall of his regime. After that, Pattinson will head to Australia with Guy Pearce to shoot The Rover, a thriller set in the post-apocalyptic future. It will be directed by David Michod (who wrote and directed 2010's critically acclaimed Aussie film Animal Kingdom).

Like his role in Cosmopolis, this movie doesn't quite fit into a box.

"It's really complicated to explain," Pattinson says, laughing. "I seem to like choosing movies lately that are difficult to promote."


USA Today

Great New Interview - Rob talks about being 26, Cosmopolis, not being able to hide and more


Robert Pattinson has swept away his teen idol persona in one fell swoop, thanks to Cosmopolis. ShortList’s Jonathan Crocker talks off-piste career choices with a reluctant superstar

Five minutes after meeting her, Robert Pattinson found himself having sex with French actress Juliette Binoche in the back of a limo. “She literally turned up and was like, ‘Let’s do it,’” he grins.

“It was just hilarious. There wasn’t enough room in the limo so she was banging her head on the ceiling.” So this is what’s it’s like to be Robert Pattinson. “It’s just boring,” he counters, almost apologetically.

What happens when you’re mega-rich, mega-handsome and mega-bored? You flip out. You get in a limousine and go on a ride that could change your life forever. Bouncy, backseat sex with an Oscar-winning actress. Boozy, late-night clubbing. Rabid crowds trying to get their hands on you. You beat up a guy in the street. You kill a man...

Hold on a minute. This isn’t Robert Pattinson’s real life. Well, it isn’t and it is. His startling role in David Cronenberg’s new arthouse psychothriller Cosmopolis – dark, sexy, violent, cerebral and possibly the weirdest film of the year – is exactly the one he’s been waiting for. A film impossible to understand, yet makes perfect sense.

In the most daring performance of his career, Pattinson plays a 28-year-old multibillionaire travelling across Manhattan in a stretch limo to get a haircut. By the end of the film, he’ll have destroyed everything he possesses to create an exciting, dangerous future.

“I want more,” Pattinson tells a bare-breasted hooker who is aiming a high-voltage Taser at his naked chest. “Show me something I haven’t seen before.” Well, here it is: Pattinson escaping from the Twilight zone.

Since transforming from an out-of-work London actor to hair-gelled bloodsucker Edward Cullen, Pattinson has been engulfed by a tsunami of fan frenzy not seen since Leonardo DiCaprio failed to shove Kate Winslet off that floating door in Titanic. He sees his own face everywhere: on posters, on merchandise and magazine covers. Fans send him vials of their own blood and scream terrifying things such as, “Rob! I just want to touch your hair!”

He stays in hotels and needs 25 bodyguards to protect him at premieres.

“People used to go absolutely insane,” he says. “They couldn’t hold themselves together at all.” Doesn’t he wish it would all just go away? No, actually. “I’m clinging on to that for dear life,” he laughs. “That’s my career!” That’s the problem and Pattinson knows it.

MOVING ON

In Twilight, he plays a 107-year-old vampire trapped in the body of a 17-year-old boy. In real life, Pattinson’s curse is worse: he’s a 26-year-old actor trapped in the body of a 107-year-old vampire. “I mean, playing the same part for a while... You just run out of ideas. You feel kind of useless, you don’t know what to do any more. I’m not trying to get away from it. You’re screwing yourself, you’re saying you think your work is sh*t if you try to get away from it. And I never thought it was. I kind of got to the end of my inspiration. You get to the point where you’re like, ‘I don’t want to do a film for a teen audience any more.’”

Exactly what Cosmopolis is, though, Pattinson’s still not sure. “Normally, you’d think that if you read a script and you don’t understand it, you probably shouldn’t be doing it,” he says. “But if it’s a Cronenberg movie, you have to do it. It was a strange situation.

I asked David what it was about and he said, ‘I don’t know what it’s about either.’”


In the most superficial light, Cosmopolis is a film about sex, death, money and power. It’s a film about a man ripping his world apart to start afresh – and that’s Pattinson’s game plan, right there. “I think the script was so bizarre, we thought it was quite funny it was even getting made. Literally. It’s totally ridiculous. Ninety per cent of it is in a limo and it’s about getting a haircut and being worried about your asymmetrical prostate. It feels like an absolute ‘F*ck you’ to any kind of hope of commercialism.” Twi-hards, then, are in for a massive shock. “I’m curious who, if anyone, sees it,” says Pattinson. “It’s such a weird movie.” He laughs. “I guess, because I’m in it.”

As far back as he can remember, Pattinson has been at the mercy of girls. When he was little, his two older sisters would dress him up as a doll and call him Claudia. His mother, a model-agency booker, helped him get modelling work at the age of 12 and – via some amateur theatre and some forgettable TV – he got his first big break playing Reese Witherspoon’s son in period drama Vanity Fair.

He was promptly left on the cutting-room floor by director Mira Nair. But it looked like he’d hit the motherload when he grabbed the biggest role of his career as Cedric Diggory in Harry Potter And The Goblet Of Fire. Then everything went wrong. He got fired from a play in London three days before opening night. He flew to LA – where he played music, got drunk and went to see films he wasn’t starring in. His agent let him sleep on her couch even though he hadn’t worked in a year and a half. “I thought the whole thing was over,” he admits. “I just didn’t know what I was doing.”

While he was dossing, director Catherine Hardwicke had been busy interviewing 5,000 young men – including Orlando Bloom, Hayden Christensen and Henry Cavill – for the lead role in her adaptation of a teen romance novel written by a Mormon housewife. Pattinson had never heard of Stephenie Meyer’s Twilight saga, but he slung a quarter of a Valium and spent four hours in Hardwicke’s bedroom with Kristen Stewart. Four years, four movies and a lot of screaming later, he’s Britain’s second-richest actor (behind Daniel Radcliffe), worth more than £30m and one of the ‘100 Most Influential People In The World’ according to Time magazine.

But he can’t remember the last time he went for a beer like a normal guy. “It’s extremely rare,” he sighs. “I don’t know why. Something about my face. People just recognise it really quickly. Kristen can go out and people don’t notice. She can hide in crowds. For some reason, I can’t really do it.” He thinks for a second and laughs. “I probably give myself away by walking around with a hoody and a hat and sunglasses, bent over and hiding my face. I probably look like a lunatic.”

Can he remember the last time someone didn’t recognise him? He thinks. For a long time. Then remembers sitting next to a French footballer on a talk show [Grand Journal] in 2009. “There were teenage girls screaming outside and I’ve got Eric Cantona just staring at me going, ‘Who are you?’” I was star struck. Then his nieces asked for some pictures...”

For some time now, Pattinson has been quietly attempting to dodge the Twilight spotlight and disappear in darker roles. Depression-era romance Water For Elephants saw him take a beating from Inglourious Basterds villain Christoph Waltz. Christina Ricci, Uma Thurman and Kristin Scott Thomas were all seduced-and-destroyed by his 19th-century sexual predator in Bel Ami. “But every single time, a Twilight comes out and inevitably eclipses whatever I’ve done in the meantime,” sighs Pattinson.

But with the vampire saga due to end this year and Cronenberg hailing Pattinson a “profound” talent, Cosmopolis could mark the end of Pattinson’s frustrations and the start of a (sorry) breaking dawn. Next up, he’ll star in psychological drama Mission: Black List, based on the novel by military interrogator Eric Maddox about the capture of Saddam Hussein, before joining Guy Pearce in The Rover, a new crime thriller by the writer/director of brutal Oz gangster epic Animal Kingdom. Most of his fans won’t be old enough to buy a ticket.

The next 12 months will push Pattinson into the talented Hollywood Brit-pack that includes Andrew ‘Spider-Man’ Garfield, Henry ‘Superman’ Cavill and Tom ‘Loki’ Hiddleston. Sure, he hasn’t been offered a superhero yet. But fast-forward 10 years and could we be looking at Bond? “Yeah, definitely,” he says. “But more like 20 years. There’d be nothing worse than, like, ‘Let’s get a fresh-faced Bond!’ That would be the worst idea in the world. After Daniel Craig, you have to have some baggage. It would be ridiculous to reinvent it as some young posh kid. Or, if it was, I’d have to be tortured in the first few scenes. I’d have to do the first film with one arm or something.”

THE TURNING POINT

Anything could happen in 10 years. A decade ago, Pattinson was a teenage waiter, scoring tips for fun (“I’d see a group of five drunk divorcees and I’d always end up going home with a load of money”). It was Pattinson’s 26th birthday a few weeks ago (“I got £25. My friends all gave me £5. It was a very thoughtful present”) and he knows it’s just Twilight and fame that’s been holding him back.

“I think 26 is the turning point,” he says. “I’ve got to make up for 10 years of living like a degenerate. I’ve suddenly become conscious of being unhealthy. You’ve spent every bit of free time since [the age of ] 15 in a pub. And suddenly you’re like, ‘Oh God, I don’t want to be this grey ghost sitting there with a pot belly. I’ve got to get it together.’”

Getting it together means a new life mantra. “Don’t be a pussy,” he states. “Basically, that’s the best thing you can ever think. I’ve had so many occasions in my life where I’ve acted like a pussy and regretted it. Have you seen that Tyson documentary? That bit where he says he’d defeated the guy before he’s walked into the ring, it’s the same thing. With acting, I was always so scared. But you get to the point where you realise it doesn’t matter.”

Take it from a vampire. Scary is OK. Scary is great. “Oh man, I was terrified on Cosmopolis,” he laughs, as we near the end of our conversation. “There was a sex scene and I was cringing. The girl was really comfortable with her clothes off – and I’m not. She took all her clothes off and I was just sitting there going, ‘Um, I haven’t got my ‘ball-sack’ on...’ F*cking amazing.”

Cosmopolis is at selected cinemas from 15 June



Shortlist Magazine

Rob talks 'Twilight' movies, 'Cosmopolis', Cannes, Kristen and even about his bodyguard


CANNES, France -- Robert Pattinson has gone from playing a vampire to depicting another kind of bloodsucker – a billionaire financier whose world crumbles in the course of a nightmarish cross-town drive in "Cosmopolis."

The "Twilight" heartthrob stars in David Cronenberg's Cannes Film Festival entry as sleek, self-centered moneyman Eric Packer, who sees his fortune and sense of self evaporate during an eventful day in his stretch limo.

Pattinson's famously handsome face is on-screen in every scene, but "Twilight"`s young fans may be surprised and confused by a film that explores Cronenberg's fascination with physical, social and psychic violence.

The 26-year-old actor is not worried.

"If some 12-year-olds went to go and see that, or got the video for their birthday – sitting down and watching that, it's incredible," the actor said during an interview on a Cannes hotel rooftop. "I would love that to happen if I was a kid."

It's a bit of amiable mischief-making from an actor who wants to be known as more than doe-eyed vampire Edward Cullen, in love with human Bella Swan in the "Twilight" saga.

He said he craves the cinematic understatement that blockbusters don't always provide.

"I remember when I was in the first `Twilight' movie, I really wanted to not have Edward touch Bella, apart from when he saves her life and when they kiss the first time," said Pattinson, lightly rumpled but friendly and poised after a long day of press interviews. "I was thinking of the (Ang Lee) movie `Lust, Caution,' and thinking there should be this tension there the whole time – just standing near someone there's electricity.

"But sometimes it just makes things too hard. You kind of forget that most people want to go to the cinema just to watch a movie rather than watch something really weird."


"Weird" is par for the course with Cronenberg, and Pattinson gets plenty of scope to stretch himself in "Cosmopolis," playing a hollow-eyed Master of the Universe forced to confront his mortality.

Events, emotion and violence keep intruding on the hermetically sealed universe of his limo as he tries, futilely, to cross a crisis-wracked Manhattan in search of a haircut.

Packer crosses paths with characters including his aloof wife (Sarah Gadon), his arty lover (Juliette Binoche), a pie-throwing protester (Mathieu Amalric) and a murderously angry former employee (Paul Giamatti).

Packer is not, to put it mildly, a likable character. Some have seen him as an avatar of Wall Street excess, but Pattinson says he watched interviews with serial killers Jeffrey Dahmer and Ted Bundy, rather than real-life financiers, to help him create the character's voice.

"He's like an alien," Pattinson said of the character.

"He's not part of his body. Everything is an abstraction. The world's an abstraction. Everything is."

The film has been widely described as a dystopian reflection of the present crisis of capitalism – but Pattinson sees it in a more cheerful light, as Packer learns to face his humanity.

"I always thought it's kind of a happy story, up until the right at the very end," he said.

"He's suddenly starting to feel and he becomes more physical as the day goes on, more alive. He feels like he's part of the world."

Packer is cut off from other humans by wealth and temperament, cocooned in his car and protected by vigilant bodyguards. Pattinson has, to an extent, been cut off by fame. He and his girlfriend and "Twilight" co-star Kristen Stewart are magnets for paparazzi and fans.

Pattinson said the experience had given him insight into some aspects of Packer's situation.

"Some of the stuff with the bodyguard, because when I'm doing press and stuff and when I'm working I have a bodyguard who I get really close with," he said. "There's a very specific relationship and that was one of the things I kind of got."

Pattinson's "Twilight" fame has trailed with him around Cannes, but Cronenberg said it had no bearing on his decision to cast the actor.

"You must ignore the baggage," the director said.

"It is very easy to say that this character, Eric Packer, is vampire or a werewolf of Wall Street, But really that's rather superficial. He's a real character and a real person in the movie.

"This is a real person, with a history and a past. And the history and the past is not `Twilight.' It's `Cosmopolis.'"


Pattinson came to Cannes with Stewart, who appears in Jack Kerouac adaptation "On the Road."

"She found out a lot earlier than I did that it ("On the Road") was in competition," Pattinson said – leaving him seething.

He's happy now, though, and still can't believe the reaction to the strange and unsettling "Cosmopolis."

"When there's people screaming outside, I'm like, `This is incredible,'" he said. "That people are screaming for this, the most bizarre movie – it's amazing.

"I wasn't expecting anyone to get it. Even last night (at the premiere), I was expecting everyone to walk out."


Source

Rob on the cover of Premiere (France)

We were asked to remove the scans and translation of the interview. The issue will be on stands this Saturday



Translation thanks to Sonia

Star of Cosmopolis, the new movie by David Cronenberg, in competition at Cannes, RP was a willing participant to a crazy photoshoot that lasted 13 hours! Find out more in the May issue.

In general, when you organize a photoshoot with an actor, whose movies made more than 2.7 billion of dollars all over the world, you except someone cold and shy, someone with a controled image and with a safeguard. Everything is timed to the last minute, especially if the actor arrives late, everything has to be started over again. I say 'in general' because all of this doesn't apply to Robert Pattinson!

It's at the end of our interview that the actor comes up with the idea of a photoshoot dedicated to David Cronenberg's movies. Like an hommage to his respect for the filmmaker, who by casting him in Cosmopolis, offered him not only a passport for after Twilight but aslo the opportunity to come and celebrate his entry to the adulte age, on the steps of Cannes on May 25th.

To say that he got involved in the making of the photoshoot is an euphemism. The first images of Scanners and Videodrome we prepared for him as an inspiration for the future snapshots came back to us with an unexepected commentary: Rob was sorry that they weren't more daring, wanting to push all the limits with this shoot - the complete opposite of what someone in his position would have asked. Two days later, the photograph Eliot Lee Hazel and his crew - sort of strange for this kind of shoot (a special effect makeup artist, a pregnant lady ...) - met in a glummy hotel in downtown L.A. to give the go-ahead of this shoot that lasted for exactly 13 hours.

After seeing the results of this shoot, we're ready to bet that you won't look at Robert Pattinson the same way again. That the last pretence who might still weigh on the actor will fly away as fast as they appeared.


Premiere France

You can get the magazine here | Online or iPad here | HQ Scans thanks to us, please credit

More New/Old Fan Pictures of Rob from Twilight and New Moon Promo

I forgot to add these pictures last week to this post, but they're adorable so posting them here now :)

More from The Today Show and Planet Hollywood - Twilight Promo (2008) and 3 new/old fan pictures from The Today Show - New Moon Promo (2009)





Today Show - Twilight Promo (2008)

imagebam.com imagebam.com imagebam.com imagebam.com imagebam.com imagebam.com
imagebam.com imagebam.com

Planet Hollywood - Twilight Promo (2008)

imagebam.com imagebam.com imagebam.com

Today Show - New Moon Promo (2009)

imagebam.com imagebam.com imagebam.com


@Miriam522 | Via
Related Posts Plugin for WordPress, Blogger...