Source
Showing posts with label cosmopolis toronto promo. Show all posts
Showing posts with label cosmopolis toronto promo. Show all posts
Rob and Cronenberg talk Cosmopolis US Promo - July and August, LA and NY
The words are from Karl Marx’s Communist Manifesto, a text that echoes through Don Delillo’s 2003 cerebral novel, Cosmopolis, charting the hellish descent of an arch-capitalist from his high rise sanctuary into the streets of Manhattan, the multicultural cosmopolis of the story. The story follows a sleep-deprived young billionaire investor, Eric Packer, travelling across Manhattan one day for a haircut in his stretch limo, losing a vast fortune on online investing, and crashing into the real conditions of life, marriage, mortality, sex, madness and political rage.
From the soundless chamber of Eric Packer’s sound-proof limo to the chilly air-conditioned hallways of a sleek dark Toronto luxury hotel is not much of a transition. Sleep-deprivation, the erasure of national boundaries, money: These subjects are close to the thoughts of director David Cronenberg and his 26-year-old star, Robert Pattinson, this afternoon, at the end of an almost two-week road trip in support of the film. Pattinson, in a baseball cap, slouches in a chair, the director, in an untucked checked shirt, sits next to a table, strewn with half-empty water bottles. Cronenberg waves a weary greeting. He’s too tired to stretch for a handshake, he says. After Cannes, they went to Lisbon, Paris, Berlin and London, meeting press hordes of Pattinson’s teenaged Twilight fans, improbably holding up their copies of DeLillo’s Cosmopolis to be autographed.
“There wasn’t time to unpack. Just get some socks. Try to figure out if they’re used or not,” Cronenberg says. “It was like that.”
For a relatively small movie (with a budget of just over $20-million), the talent is putting in a lot of road time.
“With big movies, it’s usually six or seven countries,” Pattinson says. “But this is way harder getting people to see. For smaller films, they just say, ‘Oh, just New York and London’ or ‘New York and L.A.’ I don’t really understand it.”
“We have the U.S. to come,” Cronenberg reminds him. “I’ve heard both July and August from the U.S. We will be doing New York and L.A.”
Pattinson, who comes across as instinctively reticent, says it was a “semi-difficult” decision to take part in the film in the first place After four Twilight movies, and $2-billion in worldwide box office, and another one to come this fall, he was inclined to do something more low-profile.
“I thought I was over-saturated. I wanted to do an ensemble thing or a small part in something supporting. I spent a week putting off calling David, to decide whether I wanted to do it or not. It takes a while to realize that the worst thing that can happen is you make a bad movie. And it’s much more fun jumping into slightly more abstract territory than chasing after an audience or believing that, if I do one film for the studio, I can do one for myself. It doesn’t matter any more. You could do 10 for the studio and still can’t get an indie [film] financed.”
Cosmopolis is Cronenberg’s 20th feature film, but the economics of movie-making, which were never easy, have grown more byzantine in the past economically tumultuous decade. A decade ago, when Don DeLillo was finishing Cosmopolis, Cronenberg had to mortgage his home to help finance Spider, his study in madness starring Ralph Fiennes, before his commercial bounce back with 2005’s A History of Violence. In the intervening years, a string of American indie film companies – New Line Cinema, Fine Line Features, Picturehouse, Warner Independent, Fox Atomic, and Paramount Vantage and Miramax – collapsed like dominoes.
The most important shift in his work, he says, has been the loss of American financing for films, which has “has huge effects on creativity, but none of it comes out of the creative aspect, just deal-making.”
“You can’t make a presale to America. You used to get four million [dollars] upfront for U.S. distribution. Now you have to make the movie first and see if Sony Classics or Fox Searchlight will take it. You have to forget about America or Japan for presales, which you could get in the old days, and if you’re a filmmaker like me, you have to depend on Canada and Europe.”
Cosmopolis, for example, has Canadian, French, Portuguese and Italian financing. The money sources directly affect casting and location. Cronenberg’s favourite stars – Viggo Mortensen (Danish), Fiennes and Pattinson (English) – are non-Americans who allow money to flow from foreign sources. There were no American actors in A Dangerous Method, and only one (Paul Giamatti) in Cosmopolis, a New York movie shot in Toronto last year. Pattinson, with his huge international profile, was a key to drawing the foreign money.
“I compare it with Viggo becoming a star because of Lord of the Rings. I couldn’t have had him in History of Violence before Lord of the Rings because he wasn’t a star. It’s like the stock market really. You have to instill confidence in your investors. Rob has a lot of fans and he gets a lot of press and that means we can sell his movie in Germany and Korea.”
The other side of the money flow, of course, is the money that comes from governments. It’s a topic that’s also close to Cronenberg at a time when Telefilm took a cut of roughly 10 per cent of its budget ($10.6-million over three years) in the last federal budget. Though he’s often considered an international filmmaker who happens to be based on Canada, he says: “My whole career has been supported by government money, starting with the Canada Council for writing and then the CFDC [Canadian Film Development Corp.] which became Telefilm.
“ Everywhere in the world except the U.S., government support of cinema is crucial ... We cannot make a Canadian movie for $200-million so there’s no way you can compete with the Hollywood making huge blockbusters but we can really compete when it comes to making interesting independent films, but at that level you must have government support.”
Source | Via
First Pictures of Rob on George Stroumboulopoulous Tonight + Details From the Show
More pictures and detais from the interview under the cut - Spoilers
source
Attending the show was great. I know George socially but I’ve never actually been to a live taping. This was the final show of his 8th season. Yesterday was a special friends & family presentation with the cast of Cosmopolis before they walked the red carpet at the Canadian première.
I should have taken a pen & paper because I forgot I wasn’t allowed to use my phone. NOTE TO SELF.
These actors made me think about myself, my career, my life. It’s really quite magnificent to be in the same room and hear them candidly speak about their lives, insecurities, and work. All photos by JJ Thompson. Thanks to the lovely Erin & CBC for sending right away.Rob
He was watching a clip of himself from a movie with Reese Witherspoon where he played a very small part. Despite making millions, five twilight movies and dating K.Stew (who is on the cover of Vanity Fair July 2012), he’s lacks confidence, security. He was modest and slightly soft spoken.
He said he avoids the media because he doesn’t really know what to say and he isn’t that smart anyways. I imagined him to be more, more strong. He was undoubtly charming and his accent had my eyes light up with hearts like an old Loony Toons character. Tempted to rush the stage, I held back. Safe to saw, I was swooning.
The way Rob sat in his chair vs. David Cronenberg showed a lot about their characters. Cronenberg, a seasoned and incredible film maker, sat back in his chair, open body language, head held high while R.Patts was the opposite.
George asked David Cronenberg if anyone ever tells him “it should be done this way” or “do it like this”, he paused before answering and said “it’s been a long time before anyone told me what to do”.
Double swoon. The confidence he has in his work and artistic ability to create is insanely motivating and attractive, professionally.
Being weird is something I’ve really come to embrace and so has Paul Giamatti. Growing up I always had this artistic ability I couldn’t fight that lead me to be different, blaze trails and have ‘interesting’ fashion sense.
Giamatti is an excellent actor and I was surprised to hear him talk about having anxiety. He defined himself as being a bit weird and enjoys playing random characters that show up in movies playing a poignant role. Before shooting with Cronenberg & Pattinson he had some anxiety but is seems it’s a normal thing for him, any many actors to face when on a big project. You forget that the characters in moves are real people. Well, I do.
You will have a good chuckle hearing Giamatti talk about giving the US president a swift kick in the ass.
source
New Quotes from the Cosmopolis Press Conference in Toronto
"One thing just to say: the girls who were at Geary Avenue at three in the morning were very sweet, and they had read the book," says Cronenberg during a recent Toronto press conference alongside his cast. "This is quite extraordinary. They made a T-shirt for us that said 'Nancy Babich' and had a pistol on it," a reference to DeLillo's novel. "And I wore that, and they went crazy.
"But that's interesting because very early on we were on the 'Net [and] we had seen that they were making these Cosmopolis fan websites. Some of them were incredibly beautiful. There were a couple that were better than the official one."
Adds Pattinson: "We were doing interviews in London, and someone asked about what the tagline was for the movie. I can't remember exactly what it was now, but I thought, 'Is that the tagline?' And both of us didn't know what it was. And I just found out the other day that it was from one of the fan-made posters. A whole bunch of journalists thought it was the real one!"
"They were making posters and they were reading the book, and the commenters were commenting on Don DeLillo's book," adds the director. "These were girls who had read Harry Potter and Twilight and now they're reading DeLillo, and they still like it and they still want to see the movie. So I thought, 'Well, there's nothing wrong with that.'"
Indeed. Pattinson's presence in Cosmopolis lends Cronenberg's film a pop cultural weight it might not otherwise have had original star Colin Farrell's Total Recall schedule not kyboshed his casting as Packer. (Inception's Marion Cotillard was to play his wife Elise, a role now played by Toronto actress Sarah Gadon.)
And while the teaming of Cronenberg and Pattinson might on the surface seem unusual, the strength of their relationship is evident not only in their interactions during the press conference but also by the fact that it has been reported that the duo plan to continue their collaboration with the director's next mooted project, Maps to the Stars. (Frequent Cronenberg collaborator Viggo Mortenson (Eastern Promises, A History of Violence, A Dangerous Method) is also rumoured to be eying a role in the film.)
Source
More HQ Pictures from the 'Cosmopolis' Canadian Premiere
To tons more of HQ pictures from the Premiere and Q&A, fan pictures and videos from the Q&Q, click here (added more videos from the Q&A to that post).
HQ fan pictures (source)
Thanks to Pattinsonlife
HQ fan pictures (source)
Thanks to Pattinsonlife
Subscribe to:
Posts (Atom)
